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Robert Dreyfus
music composer |
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For electronic music he intends,
in general terms, the music produced with
electronic instrumentation. The locution is
sometimes assimilated, in way not entirely
correct, to that of music elettroacustic. Since
big part of the contemporary music is recorded,
played, and written with the aid of electronic (sequencer
hardware and
software) equipments, the expression is applied
in more appropriate way to that sons-in-law and
those musical works according to which the
electronics doesn't simply constitute a mean
used in the process of creation of a recording
of a musical passage, but it is intrinsic vice
versa to the same nature of the passage, as in
the case of incisions dominated by synthesizers
(hardware or software), samplers, drum machine
and more. Also used in this specific sense, the
expression electronic music can be applied to
works and artists with different musical intents. |
The great pianist Bela Bartok has defined the piano the
first musical machine, true thing because there is no
physical contact with the ropes, but however musical
machine.
Music hardware
Synthesizer/drum machine:
Moog Voyager. Arturia Origin. Ensoniq ESQ-M. Clavia Nord
Modular exp(2). Analogue Solutions Telemark SEMblance
and Leipzig. Korg Minipops 3 and 7. Access Virus and
Virus TI. Matrix-6R. Spectral Audio Protone, Neptune I
and II. Novation Supernova II. Studio Electronics
Omega-8, SE-1x "red eyes" and ATC-1X. Korg MS-10 and
MS-20. Roland MKS-30, MKS-80, MKS100, JP-8080, TR808,
TR909 and Rhythm330. Akai S6000. Yamaha DX7II-FD.
Outboard: DSP4000, H3000SE,
Eclipse, Roland R-880 and DEP-3, KaossPad, Lexicon Model
200, PCM60, PCM70, PCM80, PCM81, DS201, DM4000 clone
SSL.
Recorded and mixed at Analog Recording Studio with
Soundcraft Ghost 72ch and Nuendo.
Album
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